I have loved watching documentaries since I was about 15/16. Some are better than others and it of course depends on the subject matter and how they are made, but the whole concept and idea behind documentaries themselves, fascinates me immensely.
At a time when cameras and video weren't as popular as they are now, watching these men behave and communicate amongst themselves and customers fills me with endless curiosity.
I feel comfort in hearing these men confide in each other and behave they way they do. The challenge and effort involved in negotiating with everyday people seems a task that requires the patience of a saint. These men sell bibles door to door all the while their boss is breathing down their neck wielding a no nonsense attitude and accepting no "excuses" or "alibis".
Personally, there's nothing I like more than spending hours sitting looking through piles of old photographs from my childhood and also members of my family's childhoods. Video footage of my mum and dads childhood doesn't exist due to lack of technology, but I find pleasure in viewing footage they both filmed during the 80s when they first met and up until their marriage. I love how I can experience life before I was born through these home videos.
I suppose this all ties in with my interest in documentaries. Especially documentaries as old as 'Salesman'. There are many factors about this particular documentary that I like: the fact it is in black and white, the mens clothes, the interaction between the men and potential customers, the ability to observe how life was like in that day and age (e.g. without advanced technology, TV, mobile phones etc.) and finally the connection the Maysles brothers have made with the salesmen and people on film.
Albert Maysles has a belief that whilst making a documentary, the person behind the camera, the person in charge of capturing moments on film - has this responsibility to record reality in it's purest form possible. As if the camera isn't even there. Trust has to be established. The bond between humans has to be there, otherwise the intent and purpose of the documentary begins to fade. The link I shared in my erstwhile post shows Albert Maysles explain why he makes documentaries, why he loves it and why his passion for it has remained since his first project in 1955, based around a mental institution in Russia. He talks of the trust and comforting energy he emits when meeting people he is going to later document. I spoke earlier of Maysles and his belief that the trust and bond between himself and his subject is the first step on the right path to a strong documentary.
I will post the link to 'Salesman' below.

