St. Nicholas, Alcester

St. Nicholas, Alcester by John Piper, 1986 (screenprint)

The interesting perspective within this print caught my eye immediately. The straight on view on the right hand side of the print is great. I feel the colour choice chosen by Piper, especially when it comes to the sky doesn't appeal to me. It almost doesn't look like the sky at all. I love the detail in building in the centre, and the colour chosen for the wall and tree.

Shiant Garbh Eilean

Shiant Garbh Eilean by Norman Ackroyd, 2011 (print)

I really enjoyed studying this particular print when I discovered it. The sheer detail of the rock faces astound me, and after my first experience with printing I can only imagine how much time and effort Ackroyd put into this himself. This piece is from his collection of prints from the North of Scotland and I personally love the Highlands and the views they have to offer, so naturally I was attracted to this specific print.

Edward Kennedy

Edward Kennedy 1980 by Andy Warhol

I find this particular print striking in that the person chosen was ex-president JFK's younger brother. I am to see the resemblance he had in relation to his two brothers. The 4 colours used - white, black, red and blue - remind me slightly of the American flag. On the left side of Kennedy's face the outline is blue, and on the right it is red. His almost expressionless face is what I noticed first, it made me wonder what he was looking at or even thinking about when the original photograph was taken.

Expanding my Knowledge of the Art World

Having learnt about many artists through High School I believed up until a month or two ago that I had a good idea of what kinds of artists had been and gone throughout history. To me, Art was simply an outlet for very creative people with the passion and skill it takes to produce beautiful paintings, or drawings. My outlook and personal opinion on the matter has changed and developed a lot since beginning this course.

On Monday afternoons we have been looking at the periods in history where groups of artists have challenged tradition and disrupted the norm and created new ways of physically producing artwork. This has opened my mind to the art world, it has questioned my view on what 'art' really is.

So many people find comfort in pigeon holing things they come across in life, things have to be categorized and for example if one person with an open mind and a flexible perspective, views a blank canvas with three single dots in the centre, that person will take their time and develop a patient opinion on the piece. Other people instantly decide "That isn't art! How could it be?! It's nothing, anyone could do that!"
I used to be like that person. I guess it's a maturity thing, not to say someone who simply doesn't like contemporary art is immature, nothing like that. It;s just a trait you develop as you grown up. That is what I've come to learn since starting the course, is that you don't have to like every piece of art in a gallery, it's about appreciating and realising the artists ideas and motives and developing your own opinion on their piece.

A Pastoral Scene

A Pastoral Scene   by Samuel Palmer

Ink and gouache on card

 

Born January 27^th Newington, London and died May 24^th in Redhill, Surrey.

From my limited experience with ink work and mono printing, I am astounded at this piece of art. It’s undoubtedly an impressive masterpiece. The figures vaguely visible in the foreground of the print suggest a farming theme, including the ploughed field in the background. The basic colours used create a moonlit atmosphere. The light cast upon the landscape by the moon in the sky creates I think a striking contrast between light and dark.  

There is activity in the field further back, harvesting of some kind. I like how bus y this print is, not only with movement and figures, but also the amount of small, intricate detail that has been included. Very nearly every branch, leave and tree is visible.

I like this piece of art a lot. It is simple in a lot of ways, but contains enough detail to really convey an interesting landscape.

Collection of photographs taken at the Haining

These are the 5 subjects I have chosen from our trip to the Haining. In the couple of hours we spent there, I sketched that basic shapes of the objects and photographed them so I am able to work into the pieces in my sketchbook.

I took photographs from the perspective I had when I sketched them, and zoomed in for a closer view so I was able to capture every detail of the subject. Enabling me to further my drawings once I begin to work into them.

This tree is probably my least favourite out of the 5 subjects from the Haining. I may be able to work into the branches and leaves more once I zoom into the photograph or maybe scale it up so I am able to observe the little details.

The boat on it's side is completley covered in detail and will prove an ambitious subject to attempt. Nevertheless I will try my hardest and perhaps tackle it with chalks or acrylic.










Along with the blue shed (below) I have chosen the face of this building to practice on my perspective.

Igniting my Creativity

Upon starting the Art & Design course I was happy in knowing that I was once again going to be in the company of people who like me - love art. Since I left school I had only the desk in my bedroom and spare time after work to draw inspiration from. Each week I begin to develop new ideas in my head and become influenced by my teachers and fellow students, I learn an abundance of new things about different artists, their work and history surrounding the development of the various ages of art. I am enjoying getting into a learning routine once again. We are encouraged to be our own person and express our minds whether it be through speech or on paper. I am pleased I am on this course and using my creativity in new and exciting ways. I hope to further my knowledge of the art world throughout this course and improve how I express the ideas I have in my head.

30 Seconds of Nonsense