Photo Editing with 'Afterlight'

Sat adding some graphics to photographs taken on my new phone just to play around with some features and I came up with these. It was fun working with the different colours and being able to choose the positions of the various shapes.
They're not based on any idea I had or on other photographers work, I just wanted to see what I could do with photographs I never had any initial plans for.

Holiday Photographs!

For the October break we visited Nairn, up past the Scottish Highlands. I figured I should take my camera along and see what I can come back with. I had ample opportunity to photograph my surroundings during our week there and came home with a total of around 500 images in total. I then proceeded to give a select few a quick look over in iPhoto, which led to me choosing these 6 photographs below.

I was aware during my time roaming around with my camera, that I was certain to end up with groups of images that looked very similar and had the same subject matter. So, during my cull of the original 500 I discovered this to be true. These 6 images below aren't my favourites or anything, I picked them because each one is different - whether referring to colour, composition, shape, light, colour etc.

This is the view from outside Primark in Inverness city centre. The sun was in my eyes and I wasn't exactly sure at the time what I was photographing...but I think it turned out okay.

This one was from a rest stop alongside Loch Ness. We stopped the car and continued down the small set of stairs that led us to a rocky patch of ground, and this was the view! The reflection astounded me and I like how you can just make out the misty fog lying on top of the loch in the background.

I quite like this image. The log you see in the foreground was about 6 foot tall and stood in the sand as if originally planted there. I took the photograph in black and white and made sure that my mum and sister had just about moved out of sight - this way the space on the left of the upright tree is left empty. Personally it gives me the feeling that the figures are going to disappear behind that log. I of course know that they won't completely disappear behind the log (they didn't) but, I can't help but feel that way when I look at the photograph. Strange!

This photograph was taken as a tester to see if the timer worked well. It seems 10secs was long enough for me to dart back across to the shore and pose so gracefully, unlike my sister and mum. I blurred our faces out on iPhoto to create an anonymity of sorts - I know everyone who will see these already know who we are but sometimes I feel faces distract too much and give away too much.

I genuinely can't remember where I was when I looked up at the sky and took this one, but I remember capturing the glare and light and thinking "I won't delete that one!". Composition was always on my mind whilst taking these photographs, I regularly remember that certain things in a photograph may look great aesthetically and pleasing to look at, but at the same time aren't technically in the right place. I hope that makes sense!

This one may not look like much at first, and you may notice that I took this from a moving car... But I guess the reason, or at least the main reason I kept this one was the juxtaposition of the trolley pushing couple in the foreground, and the fictional Specsavers customers in the background. Although not completely in shot, I think this little contrast is the main subject of the image. I struggled deciding how much of the left side to crop, I wasn't sure how much I should bring it in.

Photography experiments

I've been looking through some of the photographs I've taken over the last week and tried to fuse them together. Finding 2 photographs that blend together is tough. I'm not necessarily looking for two images with similar subject matter - but images that compositionally work together. 

Here is an example:

Because of the empty space on the left hand side of the photograph, this makes it perfect to combine with an image with perhaps an empty space on it's right hand side. 

Much like this one underneath:

As I said I'm not bothered about the two photographs being explicitly related. All I'm looking for are two images that would blend together and become connected like 2 pieces of a jigsaw (kind of).

In this case I felt there was enough free space to work with in both photographs. So I got to work bringing them together and manipulating things like colour, brightness, contrast etc. 

In the end I came out with 2 final images. Here they are below:

At this point I can't decide which one I prefer! But pleased at the result. I think the black and white version has more fuzz and blur ('noise' I think they call it?) in the background, which make the colour image more appealing.

For the black and white image I chose to crop out the wall on the right hand side. I feel it took away from the main subjects of the image. Saying that I don't mind it being in the colour version.

I guess if I was pushing to relate the two images I've combined, I could maybe make the point of saying the photograph of the person (Alice) pointing the camera towards the ground, is opposing the perspective in which the other image was taken (pointing upwards, from the ground). 

Nonetheless I enjoy fusing images together and will continue playing around with my photographs and posting the results!

Collection of photographs taken at the Haining

These are the 5 subjects I have chosen from our trip to the Haining. In the couple of hours we spent there, I sketched that basic shapes of the objects and photographed them so I am able to work into the pieces in my sketchbook.

I took photographs from the perspective I had when I sketched them, and zoomed in for a closer view so I was able to capture every detail of the subject. Enabling me to further my drawings once I begin to work into them.

This tree is probably my least favourite out of the 5 subjects from the Haining. I may be able to work into the branches and leaves more once I zoom into the photograph or maybe scale it up so I am able to observe the little details.

The boat on it's side is completley covered in detail and will prove an ambitious subject to attempt. Nevertheless I will try my hardest and perhaps tackle it with chalks or acrylic.










Along with the blue shed (below) I have chosen the face of this building to practice on my perspective.