Douglas Gordon

Since seeing '24 Hour Psycho' as part of the Generation exhibit at the Scottish National Gallery of Modern Art I have made an effort to look at more of Douglas Gordon's work.

I am interested in how people perceive certain movements and in particular hand gestures. This specific concern was unearthed why I discovered Gordon's video piece titled 'A Divided Self I and A Divided Self II'. Displayed over two screens it consisted of 2 hands interacting with each other. The two screens were near mirror images of each other.

I felt a sense of un-ease and intrigue during, and afterwards. While some would acknowledge these feelings as negative I realised that this reaction can only be a good thing, the visuals had evoked a reaction that made me feel uncomfortable and because of this I was filled with curiosity.


Why did it affect me?

How exactly did it make me feel?


These questions that I asked myself, and the mere fact I was asking myself questions is the main reason I want to create film work. I want to make people feel, and question. Whether it be negative or positive or neutral - I want a reaction. To be honest, the more negative the better!

Below are two pieces I created with 'A Divided Self I and A Divided Self II' in mind. I am pleased at what I came up with and realise that at this early stage of experimentation I have a lot to learn, but for now I wanted to see what I was capable of.

As I mentioned earlier I am interested in how people react to visuals such as these ^ and so I asked my family and friends careful questions about how they felt during and after watching these pieces. The general feedback included phrases like "creeped out" and "it scared me" or rather candidly from my Dad "arty farty". I made an effort to observe their facial expressions whilst the videos were playing and they pretty much matched up with the feedback. 

All of this helps me so much as I prepare for my first session of filming for my Final Major Project this weekend. I am constantly aware - both during filming and editing clips - of the audiences attention span and patience. 

I made sure I never asked them if they liked the pieces. I only asked how they felt. 

I don't care a bit if they liked it or not.

Light Trails on the A7

I ventured outside tonight and took advantage of the fog that had descended upon Hawick to see if I was able to photograph any passing vehicles. Having only little experience with adjusting the settings on my camera I was worried about how I would fair, but I think the images I came away with were promising.

This one was taken on the way

The first photograph I took was out of focus but I'm happy with the composition and the headlight trail this particular car left behind. I carried on to the hill opposite the A7 just down from Homebase and sat for about 45 minutes, essentially waiting for cars to pass by. The traffic was by no means heavy but plenty opportunities arose for me to snap away!  

The streetlights interfered quite a lot

I played around with the exposure, shutter speed and ISO between most shots, this gave me an indication of what combinations worked the best. Again, most of these ones are blurry and out of focus. I succumbed to the reality that at this stage of my learning, I wasn't going to be able to achieve the level of quality I wanted to.

In this case the streetlights were less overbearing

 I included this one because I like the red brake lights disappearing behind the hill as the car drove down the road out of shot.

My first full length light trail!

I tried to include the tree branches in the foreground that hovered above me where I sat

A lot darker which I wanted, but very out of focus

Adjusting the exposure and lowering the amount of light that was getting into the lens, really drew more attention to the light trails themselves, rather than the streetlights or other objects in the image.

A more focused version of the photograph above

 I was getting into a rhythm and getting used to the time it took to focus as I pushed down to capture until the photograph was taken.

I must have slipped on the wet grass during this one...

The next couple of images I like a lot better. Only the lights of the cars, lampposts and houses in the background are visible.

The last few I took are completely different to the rest in that a lot more is illuminated. I managed to position myself in such a location where I had a foreground (the tree branches) to compliment the background (the road and cars).

The very last photograph I took is probably my favourite! I deliberately and slowly moved the camera downwards as I took the image. Looks pretty cool.

This collection of photographs were an experiment into how well I can operate my camera at a different time of day. Capturing these light trails proved a great opportunity for me to get used to adjusting things like exposure and shutter time. I must mention that I have yet to edit these images, actually I may just include them in my unit entirely un-edited to accurately display my findings.

Holiday Photographs!

For the October break we visited Nairn, up past the Scottish Highlands. I figured I should take my camera along and see what I can come back with. I had ample opportunity to photograph my surroundings during our week there and came home with a total of around 500 images in total. I then proceeded to give a select few a quick look over in iPhoto, which led to me choosing these 6 photographs below.

I was aware during my time roaming around with my camera, that I was certain to end up with groups of images that looked very similar and had the same subject matter. So, during my cull of the original 500 I discovered this to be true. These 6 images below aren't my favourites or anything, I picked them because each one is different - whether referring to colour, composition, shape, light, colour etc.

This is the view from outside Primark in Inverness city centre. The sun was in my eyes and I wasn't exactly sure at the time what I was photographing...but I think it turned out okay.

This one was from a rest stop alongside Loch Ness. We stopped the car and continued down the small set of stairs that led us to a rocky patch of ground, and this was the view! The reflection astounded me and I like how you can just make out the misty fog lying on top of the loch in the background.

I quite like this image. The log you see in the foreground was about 6 foot tall and stood in the sand as if originally planted there. I took the photograph in black and white and made sure that my mum and sister had just about moved out of sight - this way the space on the left of the upright tree is left empty. Personally it gives me the feeling that the figures are going to disappear behind that log. I of course know that they won't completely disappear behind the log (they didn't) but, I can't help but feel that way when I look at the photograph. Strange!

This photograph was taken as a tester to see if the timer worked well. It seems 10secs was long enough for me to dart back across to the shore and pose so gracefully, unlike my sister and mum. I blurred our faces out on iPhoto to create an anonymity of sorts - I know everyone who will see these already know who we are but sometimes I feel faces distract too much and give away too much.

I genuinely can't remember where I was when I looked up at the sky and took this one, but I remember capturing the glare and light and thinking "I won't delete that one!". Composition was always on my mind whilst taking these photographs, I regularly remember that certain things in a photograph may look great aesthetically and pleasing to look at, but at the same time aren't technically in the right place. I hope that makes sense!

This one may not look like much at first, and you may notice that I took this from a moving car... But I guess the reason, or at least the main reason I kept this one was the juxtaposition of the trolley pushing couple in the foreground, and the fictional Specsavers customers in the background. Although not completely in shot, I think this little contrast is the main subject of the image. I struggled deciding how much of the left side to crop, I wasn't sure how much I should bring it in.

Photography experiments

I've been looking through some of the photographs I've taken over the last week and tried to fuse them together. Finding 2 photographs that blend together is tough. I'm not necessarily looking for two images with similar subject matter - but images that compositionally work together. 

Here is an example:

Because of the empty space on the left hand side of the photograph, this makes it perfect to combine with an image with perhaps an empty space on it's right hand side. 

Much like this one underneath:

As I said I'm not bothered about the two photographs being explicitly related. All I'm looking for are two images that would blend together and become connected like 2 pieces of a jigsaw (kind of).

In this case I felt there was enough free space to work with in both photographs. So I got to work bringing them together and manipulating things like colour, brightness, contrast etc. 

In the end I came out with 2 final images. Here they are below:

At this point I can't decide which one I prefer! But pleased at the result. I think the black and white version has more fuzz and blur ('noise' I think they call it?) in the background, which make the colour image more appealing.

For the black and white image I chose to crop out the wall on the right hand side. I feel it took away from the main subjects of the image. Saying that I don't mind it being in the colour version.

I guess if I was pushing to relate the two images I've combined, I could maybe make the point of saying the photograph of the person (Alice) pointing the camera towards the ground, is opposing the perspective in which the other image was taken (pointing upwards, from the ground). 

Nonetheless I enjoy fusing images together and will continue playing around with my photographs and posting the results!