Progress with iMovie

Over the last few months since we began our Location Photography and Narrative Image Making units, I have been randomly filming people in and around our class. I had no idea what I would use these short clips for in the beginning, but after getting to grips with iMovie I discovered a whole number of possibilities regarding editing.

My first initial attempt at a short movie was put the music of Pink Floyd and their song 'Us and Them' I realised an immediate connection with the lyrics and the people in the clips I had recorded.
With no plan or any idea what was my beginning, middle and end I just began sifting through the material I had recorded.

Listening to the lyrics closely I tried to arrange certain clips that may look or sound relative to the words being sang and sort of worked from there.

Below is a link to the video!

Learning a lot from this experience with iMovie I discovered the amount of layering that was possible in the editing process.

I had another look at all of my clips and decided to have another shot. Last night I spent 2 hours finishing off another movie with some of the same clips as my first. I found a lot of sound clips and transitions within iMovie I wanted to use, but this meant straying from the dramatic atmosphere I was wanting to create! So I decided not to take it too seriously and start playing around more!

This is what I came up with!

The Truth Booth

I discovered an interactive, travelling exhibition named 'The Truth Booth' whilst reading about Art Basel in the Guardian. The annual art fair is held in Miami Beach and it's 13th year kicked off on the 3rd of December. I followed live updates from the US Guardians' two art critics - Jason Fargo and Alex Needham. They had access to all of the exhibits dotted around Miami Beach and had the opportunity to speak briefly to artists whose work was on display. Art Basel is comprised primarily of modern and contemporary art, boasting interactive installations varying from sleeping experiments to make-shift walls where visitors are encouraged to contribute their own creative mark (below)

The Truth Booth is an intimate exploration into everyday peoples take on 'the truth'. The exterior is a cartoon speech bubble that invites exhibit go-ers inside where they sit down, fit a microphone and express themselves. 

Their image is captured via video recording along with their account of 'the truth' and compiled for their website - http://www.insearchofthetruth.net/wp-insearchofthetruth/the-artists/

The whole concept of this travelling exhibit had my complete attention as soon as I discovered it. I love the idea of allowing people to interact with art exhibits. Instillations are something I would like to pursue within my own work and it's finding out about things like the Truth Booth that encourage me to explore my own ideas further.

Here is a short video I found on YouTube documenting the Miami Beach art fair - https://www.youtube.com/watch?v=QWbjTLffSys

What struck me was, that even though Art Basel is over a couple of days, the amount of art pieces even in this 5 minute video is quite a lot. Events like Art Basel fuel my desire to visit such places, but I can't help but feel I wouldn't have enough time to experience them all in the short space of time they are there.

Either way I'm loving reading about all the contributors and their work. Plus the whole thing has given me bits of inspiration as to how my own future projects may go!

Life Drawing

Here is a great video of painter and life drawing teacher Jake Spicer talking about drawing in general and his passion and views on how it is a positive exercise. I found the link on Artist and Illustrators Facebook page.

After 2 months of attending life drawing lessons myself I can appreciate what he is saying and completely agree with his take on it all.


http://www.artistsandillustrators.co.uk/news/unknown/1273/video-why-i-love-drawing-by-jake-spicer

The Mermaid

I recently drew up some small, rough sketches depicting the story given as part of our Narrative Image Making unit. After being drawn to storyboards whilst researching and developing ideas for my final piece, I managed to condense the short story down to 9 scenes following the plot and the various characters.
The idea was to enlarge each scene up to A4. By doing this I was able to adjust lines and essentially make each image clearer and much more distinct.

Nearly all scenes are unfinished, except for the first one and although these are more detailed than my smaller studies, they still need a lot of work! I plan to add colour, additional objects and general detail on Photoshop. I'll need to scan them all in and just continue adding the characters who are absent from these drawings. I figured I'll be able to do a better job creating them digitally rather than with my own hand! You might notice scene 3 being re-used for scene 6, the reason for this is I quite like the perspective it has on the end of the boat and leaves room for me to add waves and the mermaid on Photoshop. Plus scene 3 is when the skipper decided to throw a herring at the mermaid, and scene 6 is when Donald witnesses the mermaid disappear under the water once he had thrown his herring in, I felt it made sense to retain that perspective and angle especially when both scenes are focused on the mermaid. Again I must stress that these drawings are very rough! Every time I look at them I can see them evolving into the final stages and this excites me, I am pleased that at this stage I'm maintaining momentum and continuing to develop this specific piece(s) of work.

Displaying the pieces for my presentation is the next part of the process, I'll figure that out when I need to. I'm enjoying developing these pen drawings at the moment.

Oh and I haven't created a drawing for scene 9 as I plan to create the final scene in a different vein. Since the story ends rather abruptly and mysteriously, I may look into using different materials to emphasise the scene. Then again... maybe not. It may end up too ambitious and unachievable in the time frame we have!

Light Trails on the A7

I ventured outside tonight and took advantage of the fog that had descended upon Hawick to see if I was able to photograph any passing vehicles. Having only little experience with adjusting the settings on my camera I was worried about how I would fair, but I think the images I came away with were promising.

This one was taken on the way

The first photograph I took was out of focus but I'm happy with the composition and the headlight trail this particular car left behind. I carried on to the hill opposite the A7 just down from Homebase and sat for about 45 minutes, essentially waiting for cars to pass by. The traffic was by no means heavy but plenty opportunities arose for me to snap away!  

The streetlights interfered quite a lot

I played around with the exposure, shutter speed and ISO between most shots, this gave me an indication of what combinations worked the best. Again, most of these ones are blurry and out of focus. I succumbed to the reality that at this stage of my learning, I wasn't going to be able to achieve the level of quality I wanted to.

In this case the streetlights were less overbearing

 I included this one because I like the red brake lights disappearing behind the hill as the car drove down the road out of shot.

My first full length light trail!

I tried to include the tree branches in the foreground that hovered above me where I sat

A lot darker which I wanted, but very out of focus

Adjusting the exposure and lowering the amount of light that was getting into the lens, really drew more attention to the light trails themselves, rather than the streetlights or other objects in the image.

A more focused version of the photograph above

 I was getting into a rhythm and getting used to the time it took to focus as I pushed down to capture until the photograph was taken.

I must have slipped on the wet grass during this one...

The next couple of images I like a lot better. Only the lights of the cars, lampposts and houses in the background are visible.

The last few I took are completely different to the rest in that a lot more is illuminated. I managed to position myself in such a location where I had a foreground (the tree branches) to compliment the background (the road and cars).

The very last photograph I took is probably my favourite! I deliberately and slowly moved the camera downwards as I took the image. Looks pretty cool.

This collection of photographs were an experiment into how well I can operate my camera at a different time of day. Capturing these light trails proved a great opportunity for me to get used to adjusting things like exposure and shutter time. I must mention that I have yet to edit these images, actually I may just include them in my unit entirely un-edited to accurately display my findings.

Light Trails

Here's a few shots I took earlier tonight with my camera. I've always wanted to tinker around the settings and see if I could capture light trails successfully. Adjusting the exposure allowed me enough time to draw words and shapes in the space in front of me where I stood in my bedroom. I was surprised to see it had actually worked first time, I think I was under the impression that it required more time to set up or something.

After Googling 'light trails' I was hit by a huge amount of photographs of highways and the lights of passing vehicles being captured. They inspired me to perhaps take my experiments outside and see what I can produce once the sun has set and vehicles are illuminated by their headlights.

Photo Editing with 'Afterlight'

Sat adding some graphics to photographs taken on my new phone just to play around with some features and I came up with these. It was fun working with the different colours and being able to choose the positions of the various shapes.
They're not based on any idea I had or on other photographers work, I just wanted to see what I could do with photographs I never had any initial plans for.

Our love is Like the Flowers, the Rain, the Sea and the Hours

Last Wednesday we travelled up to Edinburgh to attend the Generation exhibit at the National Gallery on Princes Street. Although I had visited twice before earlier in the year I still felt there were things to see and take in.

The piece I gave more attention to this time around was the installation in the largest room. I hadn't heard of Martin Boyce previous to the Generation exhibit but very much enjoyed interacting and viewing 'Our Love is Like...'

As I walked around the dimly lit room illuminated by the light strips hovering over me, I was thinking about why Boyce had created this. I thought 'Why these colours?' and 'What does this part mean?' and 'This reminds me of something...'. Of course it wasn't until I read the accompanying summary of the installation and artist responsible that it became clearer to me Boyce's intentions. Instillations in general excite me. For me, the more there is to get your head around - the better!

Portrait Artist of the Year

I found series 1 on SkyPlusHD and watched 2 episodes tonight. Very interesting stuff so far! Also, a great way to see how people work with different materials and how they approach creating their pieces. Episode one whittled down group of artists chosen from 1,800 in London to 3 groups of 4 and then to just 1 winner, in episode 2 the same process took place in Glasgow.
It was so fascinating watching how these groups of people took on the task of observing a life model and getting their portrait on to canvas. The subjects were mostly people from the entertainment industry and the occasional sportsperson. Each artist had 4 hours to complete as much of their portrait as possible all the while standing side by side, which looked unnerving to say the least!
Throughout the episodes I felt the urge to give portraiture a shot, or at least practice painting more often and just produce pieces as a way of developing my technique. This may indeed just be a fleeting, temporary ambition as so often happens whenever inspiration comes my way... but hopefully not!

Recently I have felt the necessity for information.
More specifically, information on certain artists, their work, the reason for it and the circumstances in which it was created. I am realising more and more whenever I feel the need to express myself and talk to people about my interests in art and the direction I want to take with my own work that it would help me a lot if I had references. If I had movements to source my influences, artists to procure technique from and concepts to base my work on I feel like my work (or at least ideas and development) would come across more credible and possibly be taken more seriously. I believe that wielding intent is sometimes more essential than wielding all the expensive materials and tools. Of course that helps, but what I mean is I want to be able to justify any development of an idea or experiment with references and reasons for it.

The past year on this course has really helped me get into the routine of reading regularly again. I love having books to hand and being able to read not just for entertainment but to broaden my mind and improve my knowledge on certain things. I mentioned in the last post my interest in contemporary art, and so I am hoping to get into the library this coming week and take out some books about it. Reading is one thing, but retaining the information is another! Note taking is always present in my reading, which does slow the process d--  I feel like I am rambling on a bit, so I'll stop now.

Grayson Perry: Who are you?

Grayson Perry has always been someone I've wanted to discover more about. I think it was last year I listened to his Reith Lectures that were broadcast on BBC4 and the way he spoke really engaged me. So until I go out and get his most recent book, I thought I'd follow my lecturer Niall's recommendation and give Perry's Channel 4 series 'Who Are You?' a watch.

Episode 1 down and I really enjoyed it! It's great that an artist like Perry has the confidence and drive to connect with people and join them in exploring both their true and 'second self'.
Throughout the meetings with his 4 subjects, I got the impression he managed to gain their trust and gradually allowed them all to open up. With a vision like this, and having the means to create a series documenting it, I believe one would require a certain amount of compassion to follow through with the process. I found Grayson Perry's investigative behaviour very necessary, yet compassionate.

The exploration of former Secretary of State Chris Huhne interested me the most. It was clear to me from the off set that Grayson Perry's methods of dissection as it were, seemed rife with intent. Perry sat with a pen and paper in front of a positioned Huhne and posed a number of questions.
In this case, Grayson was trying to uncover any signs of vulnerability in Huhne's identity particularly siting his resignation from office and perverting the course of justice. All he seemed to uncover was a brick wall, a somewhat 'indestructible' politician dripping with positivity and compliance. After a 2 and a half month prison stint, Perry was again eager to investigate and observe the now ex-prisoner Huhne. Perry kept this theme of vulnerability and created a pot inscribed with repeat patterns referencing different parts of Chris Huhne's life up to this point.
He then proceeded to smash the pot with a hammer and seal all the parts back together, thus symbolising a crack or at least a visible clue that what he has been through is beginning to show.

I'm not going to go and review the whole episode, that would be pointless. I just wanted to say how impressed I was! Identity is very important and is always at the forefront of our lives. The way Grayson Perry spoke of this highlighted it's diversity and through his four subjects managed to explore some very different identities, and the struggles and transitions of the people behind them.

Personally, my opinions on identity and how artists express themselves through their work has dramatically changed over the past weeks. I feel more open to discovering why we as a human race have this urge to express ourselves and possess the intentions of 'finding ourselves'.
I have truly understood through my time on this course that asking questions is the only way we find answers! I've always known that, but until recently and probably due to my exposure to more and more exhibitions around the country and speaking to my lecturers, I have been able to begin thinking about things in a different way.
I feel like the only way I will be able to appropriately produce my own, more personal work, is if I explore, discover and allow myself to be open to as many different kinds of art as possible.
More specifically, I'm looking at a lot of contemporary and more controversial work such as instillations.

I'll continue watching the series and if I feel the need to post again about it I will.